{"title":"In Stock","description":"","products":[{"product_id":"earthquaker-devices-afterneath","title":"Earthquaker Afterneath V3 Reverb","description":"\u003cdiv style=\"text-align: left;\"\u003e\n\u003cul\u003e\n\u003cli\u003eSame otherworldly reverb algorithm built from an adjustable cluster of short delays\u003c\/li\u003e\n\u003cli\u003eRanges from scattered individual delays to an immersive wash of atmospheric reverb\u003c\/li\u003e\n\u003cli\u003eNew control over the Drag parameter with 9 unique modes of user-selectable sweep\u003c\/li\u003e\n\u003cli\u003eFlexi-Switch™ - allows for momentary and latching-style operation from a single footswitch\u003c\/li\u003e\n\u003cli\u003eSilent soft-touch switching with True Bypass\u003c\/li\u003e\n\u003cli\u003eTails\/No Tails switching\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e Top-mounted jacks - for effortless pedalboard implementation\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eVoltage or expression pedal control jack for the Drag parameter\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAll analog dry signal path and a totally digital effect signal path\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eHandmade in Akron, Ohio\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eDimensions (W x D x H): 66 x 28 x 57mm\u003c\/li\u003e\n\u003cli\u003ePower Consumption: 100mA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003ciframe height=\"315\" width=\"560\" src=\"https:\/\/www.youtube.com\/embed\/VZIBzGFbInI\" allowfullscreen=\"allowfullscreen\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eWHAT EARTHQUAKER SAY ABOUT \u003cb\u003eAFTERNEATH\u003c\/b\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003eEnhanced Otherworldly Reverberation Machine\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cul\u003e\n\u003cli\u003eEarthQuaker Devices has taken everything that was great about the original Afterneath and made it even better: 9 new Modes, CV\/expression pedal control over the Drag parameter, Trails\/No Trails Switching, helping to push the already unflappable Afterneath into a whole new realm.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMODE 1\u003c\/strong\u003e - Unquantized: Smooth, unquantized response over the operating range\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMODE 2\u003c\/strong\u003e - Unquantized with Slew: Smooth, unquantized response over the entire operating range, but with a musical slew that is reminiscent of turning the varispeed knob on a vintage British tape delay. The “Drag” will lag behind the knob or cv changes, but then quickly catch up\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMODE 3 \u003c\/strong\u003e- Unquantized Volt\/Octave: Smooth and unquantized, yet scaled to align with the 1v\/octave curve to allow melodic modulation of audio in the buffer, or control the frequency of self-oscillation like a voltage-controlled oscillator\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMODE 4\u003c\/strong\u003e - Chromatic Scale: Quantized 1v\/octave to the chromatic scale\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMODE 5 \u003c\/strong\u003e- Major Scale: Quantized 1v\/octave to the major scale\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMODE 6\u003c\/strong\u003e - Minor Scale: Quantized 1v\/octave to the minor scale\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMODE 7\u003c\/strong\u003e - Pentatonic Scale: Quantized 1v\/octave to the pentatonic scale\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMODE 8\u003c\/strong\u003e - Octaves \u0026amp; Fifths: Quantized 1v\/octave to omit all but octaves and fifths\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMODE 9 \u003c\/strong\u003e- Octaves: Quantized 1v\/octave to omit all but octaves\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eThe Afterneath V3 sounds a lot like it looks - a wizard bursting forth from ethereal cave and ready for the ambient battle. You are the wizard (or sorceress, if you prefer) and the cave is your instrument’s signal, vast, expansive and magical. Do you go inside? Roll a D20 to proceed!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eOnce inside, a reflection of light from an unknown source catches your eye, and you notice a bizarre sheen on the walls of the cave. You timidly inch closer to the walls of the cave. Placing your hand gently on the cavern wall, you feel the rock move. The cave is alive! Alarmed, you emit a loud gasp, which reverberates throughout the subterranean landscape. Upon further listening, it appears as though the reverberations of your voice are in fact a swarm of short digital delays which may be used to create wild and cavernous reverbs, or scattered, short, rhythmic delays with bizarre characteristics.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cul\u003e\n\u003cli\u003eTake a moment to consider your Intelligence and Wisdom scores, as well as your spell inventory before proceeding further. You have seven spells at your disposal… Will you cast “Length,” which controls the decay length of the reverb? What about “Diffuse,” which adjusts the spread of the reverb? With your wand (or just the knob) turned counter-clockwise, the reverb is sharper with more attack, resulting in a stuttering sputter of individual early reflections. Clockwise casts a washy, more ambient-sounding hex.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eOverwhelmed by fear, you hastily cast “Dampen!” As you shout the incantation, you notice that a counter-clockwise variation of this spell results in brighter tones, while as you rotate your wand clockwise; you hear darker tones with a mellower top-end. It’s almost as if your magic changes the hardness of the cavern walls, and thus the tonal characteristics of the reverb!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eElsewhere in your book of magic is “Drag,” which separates the individual digital delay lines, literally dragging them through the very fabric of time and space towards an unknown event horizon from which they may never return. Clockwise “Drag” positions will gather the delay lines close together for a more reverb-like effect. Turn the “Drag” counter-clockwise and the delay lines will begin to pull apart for a scattered ping-pong delay effect.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eThe Drag can be put under voltage or expression control using the “EXP” jack located on the side and operates in 9 different modes which are selected by the small “Mode” control. These modes are: Unquantized, Unquantized with slew, Unquantized volt\/octave, Chromatic scale, Major scale, Minor scale, Pentatonic scale, Octaves \u0026amp; fifths and Octaves. These modes drastically change the way the Drag control functions, especially while using an expression control or CV.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eThe “Reflect” alters the depth of the cave, and with it the regeneration of the reverb. This acts as a feedback control and will self-oscillate if cast by a high-level user. Turn clockwise for more wash and echoes, counter-clockwise for less. Finally, the “Mix” alters the alchemical balance between the input signal and the effect. The Afterneath V3 does not go fully wet but does lower the level of the input signal as you raise this control to create the appearance of a fully wet reverb.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cul\u003e\n\u003cli\u003eThe Afterneath V3 features a completely analog dry signal path, totally digital delay path, buffered bypass with Flexi Switch Technology and a tails\/no tails option on bypass. Each and every Afterneath V3 is built by a mix of robots and human beans in the torch-lit cave community of Akron, Ohio.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Sort Rehearsal Rooms","offers":[{"title":"Default Title","offer_id":30254056964209,"sku":"EQDAFT2","price":199.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0030\/2835\/3137\/products\/DSCF0656.jpg?v=1601295476"},{"product_id":"kma-machines-logan-transcend-drive","title":"KMA Machines Logan Transcend Drive","description":"\u003cul\u003e\n\u003cli\u003eOpen and super touch-responsive overdrive pedal\u003c\/li\u003e\n\u003cli\u003eImpressive high-headroom-design (up to 25 dB) - perfect for use as a preamp with IR cab sim or modellers\u003c\/li\u003e\n\u003cli\u003e3-band Active EQ with adjustable Mid Frequency - allows for the ultimate in tonal flexibility\u003c\/li\u003e\n\u003cli\u003eDedicated Mids footswitch - great for pushing solos\u003c\/li\u003e\n\u003cli\u003eStandard expression input - allows control of the midrange frequency for fast and quacky wah-like sounds, to slow and enveloping phaser style filter sweeps\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eHandmade in Germany\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePowered by regular 9 V DC PSU (centre -, 2.1 mm, 30 mA current draw)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions (W x D x H): 90 x 120 x 62mm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eWeight: 400g\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/l_IOAkQ_VJA\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e WHAT KMA MACHINES SAY ABOUT \u003cb\u003eLOGAN DRIVE\u003c\/b\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003eTranscend Beyond Limits\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTake a walk in the gritty dirt and breathe in the crystal-clear mountain air, exactly as Logan once did on his journey to glean the beauties of both nature and mankind. Once you hear Logan’s sweet and graceful sounds you will be driven to find your own way into the transcendental tone kingdom. So plug-in and let Logan guide you into a new era of overdrive.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eLogan is made to transcend the well-known boundaries of overdrive. It doesn’t matter if you are looking for a pre-amp, a low\/mid-gain drive or a screaming resonant cocked-wah sound, Logan will deliver all the gainy goods. Combined with our active 3-Band EQ, including a fully parametric Mid-EQ with a separate On\/Off-Footswitch, Pre or Post Gain position-switch and an expression-in for hands-free filter sweeps, Logan is sure to deliver great tones and outstanding flexibility.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eYeah, yeah, we know... yet another overdrive pedal! Does the world really need more of them? Well, in the case of Logan, we honestly believe the answer is a resounding YES! Otherwise we wouldn’t have spent over a year conceptualizing, designing and perfecting Logan in order to give the world a drive pedal that will add immense tonal dimension and flexibility to anyone’s setup, all while preserving the natural characteristic and feel of your beloved instrument.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eLogan’s gain structure is carefully balanced for an open and super touch-responsive drive tone, giving you and your instrument ample room to be expressive. You could describe its sound as smooth and harmonically rich, but that would be selling it short. There’s a true fire raging under the embers here, one that allows you add more hair, grit and sizzling depth as you pile on the gain, making Logan fit for anything from clean boost, amp-like breakup, indie clang to full-on rock machine. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eIt also sports an impressively high-headroom-design (up to 25 dB), enabling you to use Logan as a very versatile pre-amp too - all of you amp-less\/cab-sim players can thank us later.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eBut what truly pushes Logan over the edge is its 3-band active EQ. The Bass and Treble EQ knobs are able to both boost or cut your signal by around 15 dB. This enables you to beef up thin-sounding single coils, add some chime to chunky humbuckers or get rid of boomy bass frequencies, when changing from a sweet 2x12 to a fat 4x12 cabinet. In addition, the tonal flexibility is even further extended by Logan’s fully parametric Mid-EQ section, where the MID control lets you set your preferred mid frequency between 100 Hz to 2.5 kHz, while the CUT\/BOOST control lets you cut or boost the selected frequency by up to 12 dB.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eBut the frequency fest doesn’t stop there. Logan even sports a dedicated footswitch to activate or deactivate the Mid-EQ and a position-switch which lets you place it either before the main gain-stage (PRE) or after it (POST), opening up a whole world of tonal possibilities. Place the Mid-EQ post-gain to give yourself a level boost for solos or place it pre-gain to saturate your preferred frequency even more, effectively giving you a second gain-stage.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eThen there’s the kicker! You can take complete hands-free control of the Mid-EQ Frequency via a regular expression-pedal. This lets you make instant tone changes on the fly, as well as unleash everything from fast and quacky wah-like sounds to slow and enveloping phasery filter sweeps. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eYou’d think the feature-well would have run dry by now, but no, there’s even more cool sonic secrets under the hood. The pedal has been set at the factory to sound stellar right out of the box, however some people might want to tweak some more options to taste. Via a hole in the base plate, you get direct access to an internal trim-pot to set the bandwidth (Q) of the Mid-EQ. Turn it counter-clockwise for a broad bandwidth, for smooth frequency sweeps or turn it completely clockwise for really resonant sounds. Removing the base plate will reveal a second trim-pot, which enables you to blend in your clean signal with the overdriven tone, making Logan transcend the world of guitar. Bass? Drums? Synths? Vocals? Bring it on! This pedal will handle it all. Logan really is an all-in-one overdrive solution and trust us, once you plug in you’ll never want to turn it off again!\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"sortrehearsalrooms","offers":[{"title":"Default Title","offer_id":30297136758897,"sku":"KMALOG","price":159.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0030\/2835\/3137\/products\/DSCF0688.jpg?v=1601296910"},{"product_id":"jhs-muffuletta-preorder","title":"JHS Muffuletta Fuzz\/Distortion","description":"\u003cdiv style=\"text-align: left;\"\u003e\n\u003cp class=\"\"\u003eThe Big Muff fuzz has been around so long, been on so many classic recordings, and been through so many variations that every guitarist out there has a favorite version of its iconic tone. JHS wanted to pay tribute to that undeniably classic fuzz pedal, but we couldn’t come to a consensus about which Muff was king. With the Muffuletta, our indecision is your gain. We crammed five all-analog re-creations of the pedal’s most beloved tones into this box. We even threw in a JHS-exclusive tone that is our take on the historic stomp. No matter what Big Muff era you prefer, you can get ‘em all in the JHS Muffuletta fuzz pedal.\u003c\/p\u003e\n\u003cp class=\"\"\u003eFive tones inspired by these classic Big Muffs: \u003c\/p\u003e\n\u003ch3\u003e- JHS - \"2015\"\u003c\/h3\u003e\n\u003cp class=\"\"\u003eThe JHS Muff is a JHS original take on the classic circuit. You will find this version more powerful and less compressed, with a more haunting midrange. It is also the best for bass guitar.\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003ch3\u003e- ‘73 RAMS HEAD - “1973-1977 V2”\u003c\/h3\u003e\n\u003cp class=\"\"\u003eThe ‘73 Rams Head gets its name for the strange little face that appears on the lower right corner of the original pedal. It is best known for having a scooped midrange, less gain, and being darker.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eFamous users: David Gilmour (main Pink Floyd recordings), Ernie Isley (Isley Brothers), and J. Mascis (Dinosaur Jr.)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3\u003e- THE TRIANGLE - “1969-1970 V1”\u003c\/h3\u003e\n\u003cp class=\"\"\u003eThe Triangle Muff is so named for the triangle arrangement of the knobs. It boasts more low-end response while being more articulate.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eFamous users: Santana, David Gilmour's Pete Cornish-made pedalboards, John Lennon, Kevin Shields (My Bloody Valentine), and possibly Jimi Hendrix.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3\u003e- THE PI - “1977-1978 V3”\u003c\/h3\u003e\n\u003cp class=\"\"\u003eAn instantly recognizable red Pi symbol gives this pedal its moniker. This is not to be confused with the later redesigned NYC version released in 2000. It features a more aggressive sound.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eFamous users: \u003c\/em\u003e \u003cem\u003eFrank Zappa, Billy Corgan (Smashing Pumpkins), Jack White, The Edge (U2), Beck, and Pete Townshend (The Who).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3\u003e- THE RUSSIAN - \"1999-2009 V8”\u003c\/h3\u003e\n\u003cp class=\"\"\u003eThe Russian Muff is named by the “Made in Russia” text found on the back of the pedals. It sports less clarity and less low end than other models. A great garage-type sound.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eFamous users: Dan Auerbach (Black Keys), Chris Wolstenholme (Muse), and Robin Finck (Nine Inch Nails).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3\u003e- THE CIVIL WAR - “1991-1993 V7”\u003c\/h3\u003e\n\u003cp class=\"\"\u003eThe old-style Civil War-era font and navy and gray colors found on these pedals’ enclosures dictate their name. They are best known for having more midrange and having a brighter overall tone with less gain.\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eFamous users: Thurston Moore (Sonic Youth), John Fogerty, Jeff Tweedy (Wilco), Mike Mills, and Peter Buck (REM).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\" data-rte-preserve-empty=\"true\"\u003e \u003c\/p\u003e\n\u003ch3\u003eTHIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 4MA, AND MEASURES 2.2\"X4.8\"X1.6\".\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/DX_78vliRB4\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Sort Rehearsal Rooms","offers":[{"title":"Default Title","offer_id":31405074153585,"sku":"JHSMUFF","price":219.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0030\/2835\/3137\/products\/DSCF0669.jpg?v=1601296503"},{"product_id":"walrus-audio-eb-10-pre-amp-eq-boost","title":"Walrus Audio EB-10 Pre-amp \/ EQ \/ Boost Black","description":"\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003ePreamp, 3-band EQ and +10dB MOSFET boost\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eStudio-grade tone for use in a live setting\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eCompensate tone\/volume when switching between\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003einstruments\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eCreate a new tonal characteristic of your guitar or bass\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003e3-band EQ with up to +\/-12 dB per band (cut or boost)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003e4 positions of cut or boost per EQ-band (3, 6, 9, 12 dB)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eFull-parametric MID band with adjustable center frequency\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eand Q-factor\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003e+10dB MOSFET boost for extra punch\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eLive and preset mode (3 slots for recalling settings)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003ePortion of proceeds from each pedal sold will be donated to\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ewww.raicestexas.org\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eAvailable in Matte Black and Cream\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003ePower requirement: 9V, 100mA\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eDimensions: 11.9 x 9.4 x 3.9 cm\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eHand built in the USA\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/yVre96IjiBU\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eA tone tweakers delight, the EB-10 works as a preamp, EQ and boost to meticulously craft your guitar’s sound \u003c\/span\u003e\u003cspan\u003eallowing for studio-grade electric guitar tone in a live setting. Each rotary knob offers up to 12dB of boost OR cut \u003c\/span\u003e\u003cspan\u003eof Low, Mid, and High frequencies, based on where you have the toggle switches set. When the Boost switch is engaged, add a 10dB MOSFET boost for some great extra punch.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eUse the EB-10 to compensate when switching between low and high output instruments. Push through the mix \u003c\/span\u003e\u003cspan\u003eduring solos, or even use the onboard presets as three different gain stages by using combinations of increasing boosted EQ settings and the Boost switch! With nine different EQ positions on each knob, bring out new tonal \u003c\/span\u003e\u003cspan\u003echaracteristics you didn’t know your guitar or bass even had.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe EB-10 offers two operating modes, “Live” and “Preset”. In live mode, the pedal responds to current position of all the knobs and switches. Dial in a specific sound and turn the pedal on and off with the Bypass switch. In preset mode, the pedal offers preset slots to store three unique sounds. When in preset mode, the pedal is \u003c\/span\u003e\u003cspan\u003elocked on and the user can scroll through the presets by clicking the Bypass switch. The pedal will boot up in the last known operating mode and if that is preset mode, it loads preset 1 by default. Enter preset mode by \u003c\/span\u003e\u003cspan\u003epressing and holding the bypass switch for 3 seconds until you see the preset light P1 turn on. Repeat to exit. You are in live mode when all preset lights are off. Refer to the manual on saving presets.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA portion of proceeds from each pedal sold will be donated to www.raicestexas.org.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe EB-10 comes coated in Prismatic Powders, Matte Black and Cream enclosures with art inspired by vintage studio equipment. Design by Tyler Evans.\u003cbr\u003eThe die-cast enclosure’s exact size is 11.9 x 9.4 x 3.9 cm. Power requirements are 9VDC, center negative (100mA minimum).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe use of an isolated power supply is recommended for powering all Walrus Audio Pedals. Daisy chain power supplies are not recommended. Power supply not included.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Sort Rehearsal Rooms","offers":[{"title":"Default Title","offer_id":31869544956017,"sku":"WALEB","price":209.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0030\/2835\/3137\/products\/DSCF0668.jpg?v=1601297353"},{"product_id":"kma-machines-logan-transcend-drive-1","title":"Emma Electronic Okto-Nøjs Octa Fuzz","description":"\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eAnalog Octaver and Fuzz in one pedal – Use independently or together\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDead-on octave tracking – Tracks perfectly down to the low-E of a bass\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eUltra-versatile octa-fuzz – Goes from smooth drive to fuzzed-out synth tones\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eIntuitive controls set – For a world of never-heard-before tones\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eHandmade in Denmark – using only high-quality components\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eTrue-Bypass switching\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePowered by regular 9 V DC PSU (centre -, 2.1 mm, 20 mA current draw)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDimensions (W x D x H): 94 x 123 x 51mm\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/hQWvrVgRUaI\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cspan style=\"font-size: 1.4em;\"\u003eWHAT EMMA ELECTRONICS SAY ABOUT \u003c\/span\u003e\u003cb style=\"font-size: 1.4em;\"\u003eOKTO-NøJS\u003c\/b\u003e\n\u003c\/div\u003e\n\u003ch3 style=\"text-align: center;\"\u003e\u003cstrong\u003eSubsonic Power Punch\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp style=\"text-align: center;\"\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eJust when you think you’ve seen and heard it all in an over flooded pedal market, from the deep rises a bass behemoth so crushingly brutal that it makes Godzilla look like the easter bunny. The Okto Nøjs takes your signal and turns it into pure subsonic fire. It spits and sputters sizzling, synthy octa-fuzz tones left and right, all while running it through an earthshakingly deep analog octaver for unprecedented levels of bass brutality.Logan is made to transcend the well-known boundaries of overdrive. It doesn’t matter if you are looking for a pre-amp, a low\/mid-gain drive or a screaming resonant cocked-wah sound, Logan will deliver all the gainy goods. Combined with our active 3-Band EQ, including a fully parametric Mid-EQ with a separate On\/Off-Footswitch, Pre or Post Gain position-switch and an expression-in for hands-free filter sweeps, Logan is sure to deliver great tones and outstanding flexibility.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eSome pedals just want to watch the world burn, and the Okto-Nøjs is a true firestarter!\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eThe Okto-Nøjs is actually two pedals in one – a super-accurate, fast-tracking Octave down (the Okto) combined with a dynamically responsive, synth-like Octave-Fuzz (the Nøjs). Both sides of the circuit are 100% analog and feature high-quality buffers and true bypass switching for the best sound quality possible.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eThe Okto channel uses proprietary tracking circuitry to create a sub-octave that locks in fast and remains stable. The Okto can track accurately down to the open-E string of a Bass Guitar, and even lower with minor note wobble. The Okto’s Tone control can go from round, fat subs to the hollow, nasally honk tone. Blend in a bit of Okto with your Dry signal to subtly thicken your bottom end, or crank it up for spot-on note doubling.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eThe Nøjs section is where the real fun starts. A harmonic distortion generator that creates a unique Octave-Fuzz effect, the Nojs circuit reacts to playing dynamics to create spitting, swelling, synth-like drive sounds that are truly out of this world. Gain, Tone \u0026amp; Level controls adjust the Nøjs circuit’s Fuzz section, yielding everything from smooth overdrive to squelchy feedback distortion with a blossoming note filtering. The Nøjs control blends in a square wave sub-harmonic that can be thick \u0026amp; meaty or edgy \u0026amp; aggressive depending on the setting of the Color control. Both Okto \u0026amp; Nøjs sections can be blended to taste against the Dry signal to cover a wide range of colors from subtle to extreme.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"sortrehearsalrooms","offers":[{"title":"Default Title","offer_id":31919804383345,"sku":"EMOKT","price":169.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0030\/2835\/3137\/products\/DSCF0660.jpg?v=1601295561"},{"product_id":"jhs-paul-gilbert-pg-14-overdrive-distortion","title":"JHS PG-14 Overdrive \/\/ Distortion","description":"\u003cdiv style=\"text-align: left;\"\u003e\n\u003cp class=\"\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/px2HVFYVnUU\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eJHS Pedals is proud to release the Paul Gilbert signature distortion \"PG-14!” This is a new and unique distortion pedal specifically designed to Paul's specifications. At the heart of the circuit is a FET based distortion engine that emulates the touch, feel, and the response of a pushed tube amplifier. \u003c\/p\u003e\n\u003cp class=\"\"\u003eThis circuitry allows the player to have the dynamics and tone of loud stadium level amplifier at low\/moderate volume levels.\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eALL THE MIDS CONTROL!\u003c\/h3\u003e\n\u003cp class=\"\"\u003eA second unique and essential feature of the design is that an active mid-frequency preamp is located at the front of the FET distortion circuitry. This design feature gives the user a vast sweep of tonal possibilities with any amp or guitar combination.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe PG-14 is an end-all pedal for adding the ultimate dirt channel to your amplifier. A bonus feature is that it gives you all of Paul Gilbert's talent, decades of experience, and countless years of practice!  Just hit the footswitch!\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\" class=\"\"\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eTHIS PEDAL REQUIRES STANDARD 9V DC NEGATIVE POWER, CONSUMES 67MA, AND MEASURES 2.2\"X4.8\"X1.6\".\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Sort Rehearsal Rooms","offers":[{"title":"Default Title","offer_id":32023053303921,"sku":"JHSPG14","price":195.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0030\/2835\/3137\/products\/DSCF0670.jpg?v=1601296626"}],"url":"https:\/\/sortrehearsalrooms.myshopify.com\/collections\/in-stock.oembed","provider":"sortrehearsalrooms","version":"1.0","type":"link"}